May 15, 2026 – August 21, 2026 College Art Gallery Curated by Leah Taylor
As far as I can see is a solo exhibition by Saskatoon-based artist Troy Gronsdahl. The exhibition brings together bodies of work that have been developed durationally over a span of 15 years, including two major series: When the cosmos aligned, if only briefly and largely unnoticed and Ways of Looking. Working across diverse media including text, photography, object, video and sound, Gronsdahl employs materials with aesthetic restraint and subtle intervention. He draws attention to the ways one seeks deeper meaning through nature, contemplation and poetics.
Photo: Carey Shaw
Troy Gronsdahl, As far as I can see. Installation view. College Gallery, University of Saskatchewan, Saskatoon. 2026
When the cosmos aligned, if only briefly and largely unnoticed Equinox, September 23, 2019, 1:50 AM local time Cyanotype on paper When the cosmos aligned, if only briefly and largely unnoticed Aphelion, July 4, 2019, 4:10 PM local time Cyanotype on paper When the cosmos aligned, if only briefly and largely unnoticed Equinox, September 23, 2019, 1:50 AM local time Cyanotype on paper
Ways of Looking, 2011-present Digital photographic prints on paper
Ways of Looking, 2011-present Digital photographic prints on paper
When the cosmos aligned, if only briefly and largely unnoticed, 2015-2024 Cyanotype on paper
Fire Studies, 2020-2021 Wood-fired clay and white glue
Fire Studies, 2020-2021 Wood-fired clay and white glue
Troy Gronsdahl, As far as I can see. Installation view. College Gallery, University of Saskatchewan, Saskatoon. 2026
Troy Gronsdahl, As far as I can see. Installation view. College Gallery, University of Saskatchewan, Saskatoon. 2026
Troy Gronsdahl, As far as I can see. Installation view. College Gallery, University of Saskatchewan, Saskatoon. 2026
LEFT: An adjustment of objective proportions to the requirements of a subjective vision [The Poetics of the Open Work], 2016. Hand bound book, 271 pages, digital print. RIGHT: Peony root, 2014. Bronze, ink
Weather Studies [Silent Spring], 2025-2026 Remediated text, pencil on paper
Eclipse study [The Spell of the Sensuous], 2024 Concentrated sunlight on paper (for Monique)
Wind ensemble, 2026. Wind chimes, studio objects and found materials with contributions from participating artists in land and lunch conversation series 2024: Lori Blondeau, Monique Blom, Stephanie Danyluk, Linda Duvall, Bryn Rawlyk, Alasdair Rees, Evgenia Mikaylova, Darren Miller and Kara Uzelman.
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